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Bringing incarcerated writers and their audiences together is a challenging dance of limited access and burdensome logistics. The resources collected here offer best practices in working through the walls, with information on submission accessibility, editing recommendations, communication considerations, and more.
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Browse some articles that illuminate the experience of working through the walls, desires of incarcerated writers, and ethics to keep in mind.
There is so much beyond physical space that incarcerated people do not have access to—most importantly, the internet and getting information. Additionally, state and federal censorship limits educational opportunities, reading materials, and the means of artistic and expressive production. Remaining aware of what writers in prison do and do not have access to can be very beneficial in knowing what resources and services people on the outside can offer.
It’s important to act early in professional relationships with an incarcerated writer on how to best pay them. Like many things with the prison system in the United States, getting money to an incarcerated person depends on how they individually manage their money, and restrictions regulated by state and federal prisons.
Negotiating and signing contractual and other formal agreements with people in prison varies on a case-by-case basis. Preparing to navigate the nuances of these legalities can start with personal research.
In the United States, most incarcerated people are prohibited from using the internet. To monitor communication between the walls, prisons use surveilled communication services such as JPay and Corrlinks as email systems for incarcerated people. These services have limited capabilities and general costs associated with them.
Writing while incarcerated is difficult without the additional burden of trying to get published without a typewriter or computer. For this reason and a host of other system-level restrictions, working with writers in prison requires more thoughtful, time consuming measures that often involve transcribing, editing by hand, and mailing multiple drafts through physical mail.
While physical mail is still the most common way to communicate with people in prison, sending mail through the walls varies by state, and sometimes by institution. This can range from the type of envelope that is allowed to the number of pages that can be sent in one package. Before sending mail to prisons, make sure to research specific protocols for each facility.
Working with writers who are incarcerated requires more than the willingness to reach through the walls, but understanding the conditions and systems under which these writers are living and working. It is important to remain abreast of ethical considerations of people who experience incarceration in order to sustain a professional relationship rooted in equity.
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